BookTok: the next chapter for booklovers

An image a woman looking at her smartphone, watching a girl review a book on BookTok.

Image: Kaspars Grinvalds/Adobe Stock

Image: Kaspars Grinvalds/Adobe Stock

Contact chats to literary agent and UQ alum Alex Adsett about how BookTok is disrupting the publishing industry.

  • Books I would give my soul to read again for the first time
  • Books I will accept no criticism on
  • Books that left my jaw on the floor
  • Books to make you believe in love. 

These musings are not the traditional opening lines to literary critique, but they are behind the success of some of the biggest literary juggernauts of the last few years. Booktok, a subcommunity of video-sharing app TikTok, is a place for bibliophile content creators and readers to come together, celebrating their favourite reads in rapid-fire soundbites.

In some videos, creators speak directly to camera, delivering playful, high-energy reviews of books, while in others, book covers are shown off under text with captions like 'Books that had me sobbing at 2am', 'Spicy reading recommendations: part 5', 'Convincing you to read these books based on their aesthetic', and 'Authors that keep your attention from COVER TO COVER'. 

The majority of BookTok creators are young and female, and recommended genres are overwhelmingly dominated by popular romance, young adult titles, and self-help books. The breathless, emotion-driven reviews are set to music by the likes of Taylor Swift, The Weeknd, and Lana Del Rey. BookTokers are passionate. They cry. They plead with you to devour a title like they have. They are authentic and relatable. Their focus is on how a book makes you feel

And they are wildly successful. 

It would be easy to dismiss BookTok content as immature, superficial or ephemeral, but BookTok is a disrupter. It has upended publisher and bookseller predictions, with older books finding their way back on to bestseller lists and new releases exceeding expectations once in the hands of enthusiastic reader-vloggers. Many bookshops are now featuring BookTok displays, showcasing the most popular titles from the platform.

Romance author Colleen Hoover (‘CoHo’, to BookTokers) is one of BookTok’s biggest success stories. CoHo’s book sales shot from 12,000 in 2020 to more than one million (in Australia), and more than 14 million globally in 2022, all from BookTok recommendations. 

CoHo’s It starts with us was the number one bestseller in Australia for 2022. This propelled its predecessor It ends with us, along with other titles from her back catalogue, back on to bestseller lists. Six of the 10 New York Times bestsellers in 2022 were CoHo titles. Collectively, her books outsold the Bible

And all this success came from an author who had self-published her first book in 2012.

Other titles from the New York Times list, including The seven husbands of Evelyn Hugo, Daisy Jones & the six, and The things we never got over, also captivated the BookTok crowd.

These books aren’t just boosting book sales – they’re creating entire communities and fan-based businesses off the back of them. The A court of thorns and roses series (ACOTAR) by Sarah J Maas, is just one example. It has sparked the explosion of other creator channels, Etsy sellers, painters and even fashion designers. Film composer Kelsey Woods now has 2.9 million Spotify plays from writing an ACOTAR music score for fun and sharing it on TikTok.

Contact spoke to literary agent and UQ alum Alex Adsett (Bachelor of Arts ’02, Bachelor of Laws ’03, Graduate Diploma in Professional Legal Education and Training ’04) about the rise (and rise) of BookTok.

An image of a 'Fantasy' and 'Young Adult' stand in a bookstore.

Image: ColleenMichaels/Adobe Stock

Image: ColleenMichaels/Adobe Stock

Q: BookTok reviews are much more about the emotional impact of a book, rather than an author’s technical construction that you might find in a traditional review. Why is that such an effective approach?

A: I actually love it, because how a book makes me feel is how I review books to my friends too! If I was to give a review of Book Lovers by Emily Henry, I'd tell you it was 2 in the morning, I was on a plane and I was laughing out loud. Very few books have made me laugh out loud at all. Or I’ll tell you another  book has made me sob at the end. Others I just can’t stop reading – I read them in one sitting. It's that, 'How do you feel?' approach that is very instinctively human. If you care about the person telling you – and BookTok reviewers have millions of followers who care about their opinions – it works to make other want to read and have those emotions as well.

Q: BookTok leans heavily towards young adult, fantasy and romance. There’s also a bit of a niche for popular self-help titles. What is it about these genres that fits a platform like this?

A: Well, these do tend to be the books that make you feel in a big way. They are also books that skew towards younger readers, who are the ones making the BookToks. They're fun, they're easy, they're fast, they're full of adventure, and they're exciting. 

They're also, I would argue, light-hearted in a world that's been pretty dark for a while. The world has been looking for light, fun humour to feel better about ourselves. In the book world, rom-coms have made a come back, and I don't think there's anything wrong with that. The more literary and the hard-hitting books are still out there and they're still selling. But we've just got this run for light-hearted books.

Q: Reading is intensely personal but can also be very social. BookTok is almost like a digital book club. What drives us to want to share a book we’ve read?

A: Ah, isn't that why we're all in this industry? I started as a bookseller and now I’m an agent – my job is to spruik books I love. I think it's innate in readers – when you love something, you want to tell other people about it. It's that evangelicalism of bringing other people into your tribe and saying, ‘Oh, this is fabulous, you have to read it as well’. And then we can talk about it excitedly or, if we disagree, we can have that debate of ‘what do you mean, you didn't like this or that!?’ That's why we have book clubs. That's why we read reviews. That's why you pass on the book you got for Christmas to your mum. Sharing what we love is key to any media we consume. It’s not unique to books, but I love that books are getting their moment in the sun.

Literary agent and UQ alum Alex Adsett.

Q: Finding new readers can be difficult for publishers and authors. How does something like BookTok help?

A: Oh, that's a big question. So, on the one hand, BookTok is wild. You can't make a BookToker pick up a certain author. You can send them copies and hope they'll love them, but they're not beholden to the industry. Publishers are still trying work out if they can control it and how to make it work for them.

But it is grabbing readers and bringing them in, who then hopefully become readers for life. They might pick up The Love Hypothesis – a fabulous rom-com ­– because of Booktok, that might lead them to more rom-coms, or fantasy (eg A Deadly Education) or crime (The Thursday Murder Club) We want people to discover a love of reading, and that’s what Booktok is doing.

Q: Has BookTok changed the landscape for ‘traditional’ reviews?

A: Newspaper space for book reviews has been shrinking for years. It's become such a small part of what sells a book and the gap has been filled more by online reviews on  Goodreads,  Amazon reviews, or Blog. So, I would say BookTok is the next thing in this space. 

However, BookTok is impacting the independent Australian publishing landscape in a significant way. As the most influential Booktokers are generally overseas due to their bigger populations, Australian authors are at a disadvantage. For example, readers in Australia are generally watching US BookTokers and those US Booktokers are reviewing US books. Those American books are doing really, really well – and good on them. But if you look at the bestseller charts in Australia, all of those BookTok books that are driving sales are American titles, and sales of Australian authors are suffering.

We've got amazing Australian authors, who are absolutely writing in those genres that are perfect for BookTok. But we're not cutting through because we're not able to get in with the American BookTokers.  

Q: Finally, we couldn’t finish without asking you for your top BookTok-worthy recommendations.

A: Well, my big new release is Here For The Right Reasons by Jodi McAlister. This is a fabulous Australian rom-com. It's brilliant, and perfect for BookTok. Jodi has her own BookTok – she's a romance academic – and she does these incredible videos that break down the way romance narrative works. So, that's my recommendation, both as a BookToker and as a BookTok book. 

Literary agent and UQ alum Alex Adsett.

Literary agent and UQ alum Alex Adsett.

Literary agent and UQ alum Alex Adsett.

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